A line down the middle is the mirror's edge, and each side is both the self and the other. A figure is drawn by the looking that lands on it: trimmed where the gaze wants less, taped where the likeness slips. The red marks sit where seeing and being seen share a single organ. The mirror changes hands, held at times by the self it deforms, and our hands take their turn. The glass returns a category wearing an outline. The outline keeps moving, and the category draws it again.
